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2967-2991

  • تو برو در سایه‌ی عاقل گریز ** تا رهی ز آن دشمن پنهٱن ستیز
  • Go thou, take refuge in the shadow of the Sage, that thou mayst escape from the Enemy that opposes (thee) in secret.
  • از همه طاعات اینت بهتر است ** سبق یابی بر هر آن سابق که هست‌‌
  • Of all acts of devotion this is the best for thee: (thereby) thou wilt gain precedence over every one that has outstripped (the rest).”
  • چون گرفتت پیر هین تسلیم شو ** همچو موسی زیر حکم خضر رو
  • When the Pír has accepted thee, take heed, surrender thyself (to him): go, like Moses, under the authority of Khizr.
  • صبر کن بر کار خضری بی‌‌نفاق ** تا نگوید خضر رو هذا فراق‌‌ 2970
  • Bear patiently whatever is done by a Khizr who is without hypocrisy, in order that Khizr may not say, “Begone, this is (our) parting.”
  • گر چه کشتی بشکند تو دم مزن ** گر چه طفلی را کشد تو مو مکن‌‌
  • Though he stave in the boat, do not speak a word; though he kill a child, do not tear thy hair.
  • دست او را حق چو دست خویش خواند ** تا يد الله فوق أيدیهم براند
  • God has declared that his (the Pír's) hand is as His own, since He gave out (the words) the Hand of God is above their hands.
  • دست حق میراندش زنده‌‌ش کند ** زنده چه بود جان پاینده‌‌ش کند
  • The Hand of God causes him (the child) to die and (then) brings him to life. What of life? He makes him a spirit everlasting.
  • هر که تنها نادرا این ره برید ** هم به عون همت پیران رسید
  • If any one, by rare exception, traversed this Way alone (without a Pír), he arrived (at his goal) through the help of the spiritual influence of the Pírs.
  • دست پیر از غایبان کوتاه نیست ** دست او جز قبضه‌‌ی الله نیست‌‌ 2975
  • The hand of the Pír is not withdrawn from the absent (those who are not under his authority): his hand is naught but the grasp of God.
  • غایبان را چون چنین خلعت دهند ** حاضران از غایبان لا شک بهند
  • Inasmuch as they give such a robe of honour to the absent, (what must they give their disciples?): undoubtedly the present are better than the absent.
  • غایبان را چون نواله می‌‌دهند ** پیش مهمان تا چه نعمتها نهند
  • Since they are bestowing (spiritual) food on the absent, see what bounties they must lay before the guest.
  • کو کسی که پیش شه بندد کمر ** تا کسی که هست بیرون سوی در
  • Where is one that girds himself (for service) before the king to (i.e. how far superior is he to) one that is outside the door?
  • چون گزیدی پیر نازک دل مباش ** سست و ریزیده چو آب و گل مباش‌‌
  • When thou hast chosen thy Pír, be not faint-hearted, be not weak as water and crumbly as earth.
  • گر بهر زخمی تو پر کینه شوی ** پس کجا بی‌‌صیقل آیینه شوی‌‌ 2980
  • If thou art enraged by every blow, then how wilt thou become a (clear) mirror without being polished?
  • کبودی زدن قزوینی بر شانگاه صورت شیر و پشیمان شدن او به سبب زخم سوزن‌‌
  • How the man of Qazwín was tattooing the figure of a lion in blue on his shoulders, and (then) repenting because of the (pain of the) needle-pricks.
  • این حکایت بشنو از صاحب بیان ** در طریق و عادت قزوینیان‌‌
  • Hear from the narrator this story about the way and custom of the people of Qazwín.
  • بر تن و دست و کتفها بی‌‌گزند ** از سر سوزن کبودیها زنند
  • They tattoo themselves in blue with the point of a needle on body and hand and shoulders, so as to suffer no injury.
  • سوی دلاکی بشد قزوینیی ** که کبودم زن بکن شیرینیی‌‌
  • A certain man of Qazwín went to a barber and said, “Tattoo me (and) do it charmingly (artistically).”
  • گفت چه صورت زنم ای پهلوان ** گفت بر زن صورت شیر ژیان‌‌
  • “O valiant sir,” said he, “what figure shall I tattoo?” He answered, “Prick in the figure of a furious lion.
  • طالعم شیر است نقش شیر زن ** جهد کن رنگ کبودی سیر زن‌‌ 2985
  • Leo is my ascendant: tattoo the form of a lion. Exert yourself, prick in plenty of the blue dye.”
  • گفت بر چه موضعت صورت زنم ** گفت بر شانه‌‌گهم زن آن رقم‌‌
  • “On what place,” he asked, “shall I tattoo you?” Said he, “Prick the design on my shoulder-blade.”
  • چون که او سوزن فرو بردن گرفت ** درد آن در شانگه مسکن گرفت‌‌
  • As soon as he began to stick in the needle, the pain of it settled in the shoulder,
  • پهلوان در ناله آمد کای سنی ** مر مرا کشتی چه صورت می‌‌زنی‌‌
  • And the hero fell a-moaning—“O illustrious one, you have killed me: what figure are you tattooing?”
  • گفت آخر شیر فرمودی مرا ** گفت از چه عضو کردی ابتدا
  • “Why,” said he, “you bade me do a lion.” “What limb (of the lion),” asked the other, “did you begin with?”
  • گفت از دمگاه آغازیده‌‌ام ** گفت دم بگذار ای دو دیده‌‌ام‌‌ 2990
  • “I have begun at the tail,” said he. “O my dear friend,” he cried, “leave out the tail!
  • از دم و دمگاه شیرم دم گرفت ** دمگه او دمگهم محکم گرفت‌‌
  • My breath is stopped by the lion's tail and rump: his rump has tightly closed (choked) my windpipe.