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4
736-760

  • We all have been parts of Adam, we have heard those melodies in Paradise.
  • ما همه اجزای آدم بوده‌ایم ** در بهشت آن لحنها بشنوده‌ایم
  • Although the water and earth (of our bodies) have caused a doubt to fall upon us, something of those (melodies) comes (back) to our memory;
  • گرچه بر ما ریخت آب و گل شکی ** یادمان آمد از آنها چیزکی
  • But since it is mingled with the earth of sorrow, how should this treble and bass give (us) the same delight?
  • لیک چون آمیخت با خاک کرب ** کی دهند این زیر و آن بم آن طرب
  • When water is mingled with urine and stalings, its temperament is made bitter and acid by the commixture.
  • آب چون آمیخت با بول و کمیز ** گشت ز آمیزش مزاجش تلخ و تیز
  • There is a small quantity of water in his (a man's) body: suppose it is urine, (yet) it will extinguish a fire. 740
  • چیزکی از آب هستش در جسد ** بول گیرش آتشی را می‌کشد
  • If the water has been defiled, (still) this natural property of it remains, for by its nature it allays the fire of grief.
  • گر نجس شد آب این طبعش بماند ** که آتش غم را به طبع خود نشاند
  • Therefore samá‘ (music) is the food of lovers (of God), since therein is the phantasy of composure (tranquillity of mind).
  • پس غدای عاشقان آمد سماع ** که درو باشد خیال اجتماع
  • From (hearing) sounds and pipings the mental phantasies gather a (great) strength; nay, they become forms (in the imagination).
  • قوتی گیرد خیالات ضمیر ** بلک صورت گردد از بانگ و صفیر
  • The fire of love is made keen (inflamed) by melodies, just as the fire (ardour) of the man who dropped walnuts (into the water).
  • آتش عشق از نواها گشت تیز ** آن چنان که آتش آن جوزریز
  • Story of the thirsty man who dropped walnuts from the top of a walnut-tree into the water-brook that was in the hollow, without reaching the water (himself), in order that he might hear the sound made by the walnuts falling on the water, which thrilled him with joy as (though it were) sweet music.
  • حکایت آن مرد تشنه کی از سر جوز بن جوز می‌ریخت در جوی آب کی در گو بود و به آب نمی‌رسید تا به افتادن جوز بانگ آب# بشنود و او را چو سماع خوش بانگ آب اندر طرب می‌آورد
  • The water was in a deep place: the thirsty man went up the tree and scattered the walnuts one by one. 745
  • در نغولی بود آب آن تشنه راند ** بر درخت جوز جوزی می‌فشاند
  • The walnuts were falling from the walnut-tree into the water: the sound was coming (to his ears), and he was seeing the bubbles.
  • می‌فتاد از جوزبن جوز اندر آب ** بانگ می‌آمد همی دید او حباب
  • A sensible person said to him, “Leave off, O youth: truly the (loss of the) walnuts will bring thirst (regret) to you.
  • عاقلی گفتش که بگذار ای فتی ** جوزها خود تشنگی آرد ترا
  • The more the fruit falls into the water—(since) the water is below at a (great) distance from you,
  • بیشتر در آب می‌افتد ثمر ** آب در پستیست از تو دور در
  • The river-water will have carried it (the fruit) far away before you with effort come down from the top (of the tree).”
  • تا تو از بالا فرو آیی به زور ** آب جویش برده باشد تا به دور
  • He replied, “My purpose in this scattering is not (to obtain possession of) the walnuts: look more keenly, do not stop at this superficial (view). 750
  • گفت قصدم زین فشاندن جوز نیست ** تیزتر بنگر برین ظاهر مه‌ایست
  • My purpose is that the sound of the water should come (to my ears); also, that I should see these bubbles on the surface of the water.”
  • قصد من آنست که آید بانگ آب ** هم ببینم بر سر آب این حباب
  • What, indeed, is the thirsty man's business in the world? To circle for ever round the base of the tank,
  • تشنه را خود شغل چه بود در جهان ** گرد پای حوض گشتن جاودان
  • Round the channel and round the Water and the sound of the Water, like a pilgrim circumambulating the Ka‘ba of Truth.
  • گرد جو و گرد آب و بانگ آب ** هم‌چو حاجی طایف کعبه‌ی صواب
  • Even so, in (composing) this Mathnawí thou, O Ziyá’u ’l-Haqq (Radiance of God) Husámu’ddín, art my object.
  • هم‌چنان مقصود من زین مثنوی ** ای ضیاء الحق حسام‌الدین توی
  • The whole Mathnawí in its branches and roots is thine: thou hast accepted (it). 755
  • مثنوی اندر فروع و در اصول ** جمله آن تست کردستی قبول
  • Kings accept (both) good and bad: when they accept (anything), it is reprobate no more.
  • در قبول آرند شاهان نیک و بد ** چون قبول آرند نبود بیش رد
  • Since thou hast planted the sapling, give it water. Since thou hast given it freedom (to grow), untie the knots.
  • چون نهالی کاشتی آبش بده ** چون گشادش داده‌ای بگشا گره
  • In (all) its expressions my object is (to reveal) thy mystery; in composing it my object is (to hear) thy voice.
  • قصدم از الفاظ او راز توست ** قصدم از انشایش آواز توست
  • To me thy voice is the voice of God: Heaven forfend that (I should say) the lover is separate from the Beloved.
  • پیش من آوازت آواز خداست ** عاشق از معشوق حاشا که جداست
  • There is a union beyond description or analogy between the Lord of Man and the spirit of Man. 760
  • اتصالی بی‌تکیف بی‌قیاس ** هست رب‌الناس را با جان ناس